"Black Is the Colour (of My True Love's Hair)" (Roud 3103) is a traditional folk song first known in the Appalachian Mountains region of the United States in 1915, but most probably originating from Scotland, as attributed to the reference to the Clyde in the song's lyrics. The musicologist Alan Lomax supported this Scottish origin saying the song was an American "re-make of British materials."[1] The first recording was made by Mrs. Lizzie Roberts in 1916 as "Black Is The Colour". (http://www.originals.be/nl/originals.php?id=9969)
Many different versions of this song exist, some addressed to females and others addressed to males, as well as other differences:
These words are set to two distinct melodies, one of which is traditional and the other was written by the Kentucky folk singer and composer John Jacob Niles. Niles recalled that his father thought the traditional melody was "downright terrible", so he wrote "a new tune, ending it in a nice modal manner." This melody was used in the Folk Songs song cycle by Luciano Berio.[2]
While it is unclear which version should be considered "original", it is believed that originally the song was addressed to a woman, with the male-addressed version made popular by Nina Simone in the middle of the 20th century.
The song has become a part of the traditional repertory of Celtic music artists.
In the 1960s, Patty Waters sang an extended version on ESP disk which veered towards the avant garde and extremes of vocal improvisation,[3] standing as a landmark in the use of folk tunes as a starting point to other musical areas.
Contents |
Versions of the song have been recorded by many artists, including;
Artist | Album | Genre | Year | Comments | |
---|---|---|---|---|---|
John Jacob Niles | American Folk Lore Vol. 3 | 1941 | Also appears on American Folk Love Songs to Dulcimer Accompaniment, Six Favorite Folk Songs, John Jacob Niles Sings American Folk Songs, I Wonder As I Wander / Carols and Love Songs, The Best of John Jacob Niles, and The John Jacob Niles Collection. | ||
Burl Ives | Wayfaring Stranger | Traditional folk | 1944 | ||
Jo Stafford | American Folk Songs | Traditional folk | 1950 | ||
Gordon Heath & Lee Payant | Chants Traditionnels Des États-Unis / The Ballad Of The Boll Weevil and other Traditional Songs Of The United States | Traditional folk | 1955 | ||
Phineas Newborn, Jr. | While My Lady Sleeps | 1957 | |||
Nina Simone | Nina Simone at Town Hall | Jazz | 1959 | Nina Simone made it part of her standard repertoire, revitalizing the song's popularity.[4] | |
Joan Baez | Joan Baez in Concert | Folk music | 1962 | ||
Smothers Brothers | Think Ethnic | Folk | 1963 | "Black Is The Colour (Of My True Love’s Hair)" (3:04) - Turned into "Black Is the Colour of My Love's True Hair" [But only her Hairdresser knows--/("Does she or Doesn't she?")--/Only her Hairdresser knows!] (a play on the advertising 'tag line' at that time for Clairol hair-coloring products). | |
Davy Graham | Folk, Blues and Beyond | Folk | 1964 | ||
Smothers Brothers | It Must Have Been Something I Said! | Folk | 1964 | They also did a parody version: Black is the color (of my love's true hair) | |
Nina Simone | Wild Is the Wind | Jazz | 1965 | ||
Patty Waters | Patty Waters Sings | Jazz | 1965 | Described as "the performance that established her as a vocal innovator"[5] | |
Hamish Imlach | Hamish Imlach | 1966 | |||
Carola | Carola & Heikki Sarmanto Trio | Jazz | 1966 | Recorded in the spirit of the modal jazz scene going down in Europe in the 1960s,[6] Carola's accosting tone[7] and the groovy approach of Heikki Sarmanto Trio remained undiscovered until issued by the Jazzpuu label in 2004.[6] | |
The Throb | Single | 1966 | A version by Australian act recorded as "Black" | ||
The Human Beinz | Nobody But Me | 1968 | A version by US act | ||
Cathy Berberian | Folk Songs | 1968 | Recorded with the Berio setting, followed by two more recordings next decade, all conducted by the composer to whom she was married for a time | ||
Alfred Deller, Desmond Dupré, Mark Deller | Folksongs | 1972 | |||
Marc Johnson with Bass Desires | Bass Desires | Jazz rock | 1985 | ||
Linda Hirst | Songs Cathy Sang | 1988 | The Berio setting | ||
Joe Sample | Invitation | Jazz | 1993 | Instrumental version recorded as "Black Is The Color". This version has been featured on The Weather Channel's Local On The 8s segments. |
|
Luka Bloom | Turf | Folk / Singer-songwriter | 1994 | ||
The Stomping Clawhammers | All Change... Small Change | Traditional folk | 1996 | Female-addressed version | |
The Eccentric Opera | Hymne | 1997 | The eighth track of Hymne album | ||
Kendra Shank | Wish | Vocal jazz | 1998 | ||
Susan McKeown | Mighty Rain | Traditional folk | 1998 | ||
Judy Collins | Both Sides Now | Traditional love song | 1998 | ||
Niamh Parsons | In My Prime | Traditional Folk | 2000 | Also performed on Live At Fylde (2005) | |
Stringmansassy | Persuasion | 2000 | |||
Gaelic Storm | Tree | Folk rock | 2001 | Sixth track of the album Tree.[8] | |
The Liberty Voices | A Cappella Americana | 2001 | As seen at Epcot's American Adventure | ||
Cara Dillon | Cara Dillon | Folk | 2001 | Irish folk singer Cara Dillon chose to perform a female-addressed version opening her eponymous album which won her many awards including "Best Traditional Song" at the 2002 BBC Folk Awards. It has become a favourite in her live repertoire and has undergone huge success as a Trance remix by 2Devine (see below)[9] | |
Blue Mountain | Roots | Alternative country/roots rock | 2002 | ||
Clann Lir | Clann Lir | Traditional folk | 2002 | Male-addressed version by Russian Irish Celtic act, sung by Melnitsa front-woman Hellawes | |
Grace Griffith | Sands of Time | 2003 | |||
Larry Mathews | Easy and Slow | Folk | 2003 | Third track on the Album Easy and Slow[10] | |
Pete Seeger | American Favorite Ballads, Vol. 2 | 2003 | |||
Nurse with Wound | She and Me Fall Together in Free Death | Experimental | 2003 | ||
Ensemble Planeta | Aria | A capella | 2003 | Tenth track of the Aria Album[11] | |
Eala Clarke | Longing | Celtic | 2004 | ||
Paul Weller | Studio 150 | Rock | 2004 | ||
Julie Poole | The Ash Grove | 2005 | |||
2Devine featurung Cara Dillon | House | 2005 | DJ Pete Devine (also known as 2Devine and Coco & Green) produced a trance remix to Cara Dillon's version. | ||
The Corrs | Home | Pop Folk | 2005 | ||
Espers | The Weed Tree | 2005 | |||
Eilis Kennedy | Time to Sail | Folk Singer | 2005 | ||
Tellen Gwad | N/A | Neo-folk | 2006 | Female-addressed version by Russian acoustic act | |
The Czars | Sorry I Made You Cry | Rock | 2006 | Male-addressed version by American rock band | |
The Twilight Singers | She Loves You | Rock | 2007 | ||
Cara Dillon vs. 2 Devine | Trance | 2007 | Above & Beyond's Devine Intervention Mix | ||
Karan Casey | Ships in The Forest | Folk | 2008 | Acoustic piano version by Karan Casey, an Irish folk singer | |
Elane | Lore of Nén | Medieval Folk | 2008 | ||
Andre Ethier | Born Of Blue Fog | Neo-Folk | 2008 | Canadian Artist | |
Kokia | Fairy Dance: Kokia Meets Ireland | Celtic | 2008 | ||
Natacha Atlas | Ana Hina | Arabesque/World | 2008 | Male-addressed version with the Mazeeka Ensemble[12] | |
Angelo Kelly | Lost Sons
Up Close |
Pop rock | 2008 | Appears as the last track in Lost Sons and was also recorded live for Up Close | |
Christy Moore | Live at the Point | 2009 | |||
Julie Murphy | Black Mountains Revisited | 2009 | |||
Nyle Wolfe | Home Ground | Folk Classical | 2009 | ||
Wye Oak | Splice Today Presents: The Old Lonesome Sound | Folk | 2009 | An original compilation album | |
Silverwheel | Single studio recording | Unknown | Silverwheel plays live and maintains several websites with their tracks sampled. | ||
Phil Coulter | Timeless Tranquility: 20 Year Celebration | Folk Celtic Classical | 2008 | ||
Marc Gunn | Irish Drinking Songs: A Cat Lover's Companion | Folk | 2007 | Album was a followup of Irish Drinking Songs for Cat Lovers which included the track "Black Is the Color (of My Cat's Fur)" based on this song. | |
Angel Olsen | Indie Folk | 2010[13] | |||
Lisa Lambe | Celtic Woman: Believe | Folk Celtic | 2011 | ||
Celtic Thunder | Heritage | Folk Celtic | 2011 |
Origins Of Song Discussion: http://mudcat.org/thread.cfm?threadid=32248